Возвышение Харли Квинн - Шелли Э. Барба

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Характеристики

Identyfikator produktu
12995563347

Stan
Nowy

Tytuł
The Ascendance of Harley Quinn (2017)

Autor
Shelley E. Barba

Nośnik
ebook

Język publikacji
angielski

Format
epub

Wydawnictwo
inne

Описание

PRZEDMIOTEM OFERTY JEST KOD DOSTĘPOWY DO KSIĄŻKI ELEKTRONICZNEJ (EBOOK)

KSIĄŻKA JEST DOSTĘPNA NA ZEWNĘTRZNEJ PLATFORMIE. KSIĄŻKA NIE JEST W POSTACI PLIKU.

The Ascendance of Harley Quinn - Shelley E. Barba

Since her first appearance in 1992, Harley Quinn--eccentric sidekick to the Joker--has captured the attention of readers like few new characters have in eight decades of Batman comics. Her bubbly yet malicious persona has earned her a loyal and growing fan base as she has crossed over into television, theater, video games, and film. In this collection of new essays, contributors explore her various iterations, focusing on her origin and contexts, the implications of her abusive relationship with the Joker, her relationships with other characters, her representations across media, and the philosophic basis of her character.

  • Autorzy: Shelley E. Barba
  • Wydawnictwo: McFarland & Company, Inc., Publishers
  • Data wydania: 2017
  • Wydanie:
  • Liczba stron:
  • Forma publikacji: ePub (online)
  • Język publikacji: angielski
  • ISBN: 9781476629995

BRAK MOŻLIWOŚCI POBRANIA PLIKU. Drukowanie: OGRANICZENIE DO 2 stron. Kopiowanie: OGRANICZENIE DO 2 stron.

  • Acknowledgments
  • Introduction
  • “It is to laugh”
  • The History of Harley Quinn
  • 1992
  • 1993
  • 1994
  • 1999
  • 2000
  • 2009
  • 2011
  • 2013
  • 2014
  • 2015
  • NOTES
  • WORKS CITED
  • Harlequin Romance
  • The Power of Parody and Subversion
  • Harlequin Romance Defined
  • Romantic Beginnings: Mad Love and Secret Origins
  • Secret Origins
  • Conclusion
  • WORKS CITED
  • She Laughs by Night
  • Mad Love, the New 52 and Noir
  • The Naked Gotham City
  • Kiss Me Puddin’
  • Joker Crazy
  • Harley’s Raw Deal
  • Harley’s Conflict
  • Act of Violence
  • Leave Her to Ivy
  • The Third Harley
  • NOTE
  • WORKS CITED
  • The Clock Is Ticking
  • Even Legends Stumble
  • Month to Month, Year to Year
  • Not Quite an Original
  • Once a Sidekick, Always a Sidekick
  • Cut from the Same Cloth
  • A Lack of Notable Events
  • Gone but Not Forgotten
  • WORKS CITED
  • “That just proves he wants me back”
  • Pure Victimhood, Agency and Intimate Partner Violence in Comic Book Narratives
  • Literature Review
  • Narrative Paradigm
  • Intimate Partner Violence and Pure Victimhood
  • Implications of Conceptualizing Victimization
  • Analysis
  • Conclusion
  • NOTE
  • WORKS CITED
  • Bride of the Monster
  • Harley Quinn as a Case of Hybristophilia
  • “Your diagnosis, Doctor J.?”2
  • “This is just the beginning!”3
  • “Say hello to your new, improved … Harley Quinn!”6
  • “It felt like a kiss…!”8
  • “Eyes on the sassy sidekick in spandex”10
  • “Your baby girl’s home at last”11
  • NOTES
  • WORKS CITED
  • A New Kind of Leading Lady
  • The Complexity of Surviving Abuse and Becoming a Hero
  • The Early Stages
  • Staying Versus Leaving
  • Starting a New Life
  • A Complex Heroine for the Modern Day Audience
  • WORKS CITED
  • Duality and Double Entendres
  • Bi-Coding the Queen Clown of Crime from Subtext to Canon
  • The Comics Code Authority
  • Harley and Ivy
  • Dual Relationships
  • Double Identity
  • Bisexual Villainy
  • Conclusion
  • NOTES
  • WORKS CITED
  • Victim, Villain or Antihero
  • Relationships and Personal Identity
  • Victim or Villain: Harley Quinn’s Agency, or Lack Thereof
  • “Dr. Quinn’s Diagnosis”
  • Villain to Antihero: A Bumpy Road to Self-Discovery
  • “Harlequinade”
  • “Role Models”
  • “Harley’s Holiday”
  • “Kind of Like Family” and Selected Suicide Squad
  • The New 52
  • WORKS CITED
  • “Stronger than their madhouse walls”
  • Disrupting Gotham’s Freak Discourse in “Mad Love” and “Harley Quinn”
  • Freaks, Madness and the Institution of Normality
  • What It Means to Be a Freak in Gotham
  • Madly in Love
  • A Session with Dr. Quinn
  • Making a Freak
  • Conclusion: “Harley Quinn is who I am!”
  • NOTES
  • WORKS CITED
  • Arkham Origins
  • Looking at Grown-Up Themes Through the Lens of a Kid’s TV Show
  • “Joker’s Favor”
  • “The Laughing Fish”
  • “The Man Who Killed Batman”
  • “Harley and Ivy”
  • “Trial”
  • “Harliquinade”
  • “Harley’s Holiday”
  • “Holiday Knights”
  • “Girl’s Night Out”
  • “Mad Love”
  • “Beware the Creeper”
  • Conclusion
  • NOTES
  • WORKS CITED
  • Harlequin, Nurse, Street Tough
  • From Non-Traditional Harlequin to Sexualized Villain to Subversive Antihero
  • Tights, Diamonds and Visual Semiotics
  • “It is to laugh, huh Mistah J?”
  • Oh, I Got Something to Show You… One Second, B-Man!
  • How Cool Would It Be to Have My Own Comic Book?
  • We’re Bad Guys: It’s What We Do.
  • NOTES
  • WORKS CITED
  • Problematic Fave
  • Gendered Stereotypes in the Arkham Video Game Series
  • Background
  • Sexualization
  • Stereotypical Gender Roles
  • Rape Culture
  • Identifying the Problem
  • Psychological Effects
  • Violence and Aggression
  • Quinn, Video Games and Their Possible Future
  • WORKS CITED
  • The Motley Queen
  • A “Spicy Package” of Misrule
  • Performative Agency
  • Violence and Play
  • An Autonomous Construct
  • WORKS CITED
  • There Shall Be Order from Chaos
  • Hope and Agency Through the Harlequine’s Subalternity
  • Introduction
  • Two Names, One (Made-Up) Face
  • The Dangers of Being Only a Poor Silly Girl
  • The Liminal Woman
  • The Cry Which Started the Whole World Laughing
  • The Icon Between Order and Chaos
  • Conclusions
  • NOTES
  • WORKS CITED
  • The “Mistress of Mayhem” as a Proxy for the Reader
  • A Metafictional Link Between Fiction and Reality
  • Conner and Palmiotti’s Harley Quinn
  • Fangirl Harley
  • The Joker and Harley
  • Harley Quinn #0
  • Harley Invades Comic-Con International San Diego
  • Conclusion
  • NOTE
  • WORKS CITED
  • Super-Villain or Sociopath
  • Evilness at the Turn of the Century
  • Introduction: Thinking About Evil
  • Quinn by Kesel: The Good/Evil Dichotomy
  • Quinn by A.J. Lieberman: Blurring Good and Evil
  • Conclusions
  • WORKS CITED
  • Appendix
  • A Mediography of Harley Quinn
  • Television
  • Batman: The Animated Series (1992–1995)
  • Birds of Prey (2002)
  • “Hard as Nails.” Static Shock (2004)
  • “Two of a Kind.” The Batman (2007)
  • “Emperor Joker.” Batman: The Brave and the Bold (2010)
  • Comic Books
  • “Batgirl: Day One.” The Batman Adventures. #12 (Sept. 1993)
  • “Mad Love.” The Batman Adventures (1994)
  • Elseworlds (1997): “Batgirl and Robin: Thrillkiller” (1997); “Batgirl and Batman: Thrillkiller ’62” (1998)
  • “Oy to the World.” Batgirl Adventures. #1 (Feb. 1, 1998)
  • “Mightier Than the Sword.” Batman: Gotham Adventures. #10 (March 1, 1999)
  • Batman: Harley Quinn (Oct. 1, 1999)
  • Harley Quinn. v1. #1–38 (2000)
  • Batman: Harley and Ivy (2001)
  • Gotham Girls (2003)
  • Batman Adventures. #1, #3, #16 (2003)
  • “Kind of Like Family.” Detective Comics. #831 (June 1, 2007)
  • Gotham City Sirens. #1–#26 (2009)
  • Suicide Squad. v2 (2011)
  • Harley Quinn. v2. #1–Current (2014–)
  • Web Content
  • Gotham Girls (2000–2002). Web flash animation
  • DC Super Hero Girls. YouTube (2016)
  • Video Games
  • Batman: Arkham Series (2009–2015)
  • Movies
  • Suicide Squad (2016)
  • About the Contributors
  • List of Names and Terms

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